![]() Simple, informative, flexible and unhampered by trying to look like a piece of hardware from 1968, Pro-Q made it easy to do whatever needed doing, whether that was gentle tonal correction, notching out an annoying resonance, clearing up a muddy low end or any of the other innumerable tasks for which one might reach for an equaliser. It quickly became my first-choice EQ plug-in, and I’ve spent much of the last four years happily popping Pro-Qs into insert slots. If I’m honest, in fact, it hadn’t really occurred to me that there might be ways in which it could be made even better! Fabfilter themselves, though, have not been so complacent, and version 2 of Pro-Q offers a positive avalanche of new features. Some of these are quite subtle, like the small gear wheel that now appears between the Gain and Q dials when you create a parametric EQ band. This enables ‘Gain/Q interaction’, a common property of some analogue EQ designs whereby the bandwidth narrows as more boost or attenuation is applied.
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